Keisha Roberts, artist, curator, consultant, researcher  
Planting Dreams and Corn Near Moncks Corner, detail  

   
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12 August 2000 journal entry.
 
On 12 August 2000 I made a list of everything I would do if I lived without fear or need for external approval. I listed 129 things. I have attempted at least 114 of them. Making art was number four.

 

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I have tried to corral my creative energies and pursue other fields. I was almost a biological anthropologist, almost a novelist and short story writer, almost an attorney, almost an historian. Until just a few months ago, I contemplated relegating creativity to hobby status and going to medical school.

I am an artist.


Detailed measurements for "Nanny and Papa at Christmas"
Amazingly detailed measurements
for
Nanny and Papa at Christmas.

In 2004, I lost my dear friend Rita. She was elegant and witty. She was an astonishingly gifted short story writer and playwright, but for most of her life, her craft was a lower-ranking priority. She was just coming into her own and gaining national and international recognition for her work when she was diagnosed with brain and breast cancer.
If I have learned nothing from her life, I have learned that nothing matters as much as following your passion and being true to yourself. Life does not wait.

Learning to express myself artistically has been a life-changing process. Creating is an opening, a blossoming, a nurturing, a testifying, a remembering, and a trusting. Perhaps it is a letting go more than anything else is.

When I create, I let go of expectation and prediction. I let go of perfection and caustic self-criticism. When I walk into my studio to create, I light incense and
make my inner perfectionist patiently wait outside the door. I give her last Sunday’s New York Times crossword puzzle, a pen, and a cup of peppermint tea.

I sketch constantly. I always keep a small sketch pad in my purse, in my car, and by my bed. My mind is always active. The most mundane activities and objects inspire me. I always look for new ways of seeing.

Each time I begin a new piece, I review my sketches, but I try not to be confined by them. I cannot create with a rigid mind. I need to be open to discovery.
I have to stay open so I can let each piece transform me in some way. So I can learn something about myself, the world and the way I see it. So I can be innovative or find a new approach or technique.

I have struggled to give myself permission to create. There was a period of several years when I created nothing because I was afraid of making mistakes. Now, I don’t make mistakes; I discover new techniques.

Rough sketch of Maw Maw First.
Rough sketch of Maw Maw First.

I have talked myself out of feeling guilty for
wasting fabric, film, and art supplies. (So many quilters covet cherished fabrics they cannot bear to cut. Cut them.) I even worried about wasting my sewing machine’s light bulb. None of that matters.

The only thing that matters—that truly, truly matters—is finding your passion and pursuing that passion with every bit of
joy and determination you have.

Written 13 June 2005
 

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