Keisha Roberts, artist, curator, consultant, researcher  
Thank You for Loving Me   Thank You for Loving Me   Thank You for Loving Me  

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Interviewer: OK. Let’s consider this more personally and less academically. I am curious to know where your mind is, if you will, when you create the more traditional, I mean— When you create constructions of pieced cottons, what do you think about?

Roberts: I think about my great-great-grandmother, Leila Borders Corry. She was born in 1890. She went to Lincoln Academy. She was a schoolteacher. When I was a girl, my mother and I lived with my grandmother. I slept under a quilt made by my great-great-grandmother. I loved that quilt. I was a child; I didn’t even know what a quilt was. But somehow, when my mother, aunt, and grandmother tucked me under this quilt, I knew I was loved. I still wrap myself in that quilt when I go home. I think about her and all the women—and men—in my family who I love dearly. I feel connected to them.

And I think about the women in my quilt circle, the African American Quilt Circle. They are so wonderful and loving and supportive and amazingly talented. I think about them. I feel connected to them.

And I think about enslaved women who quilted to warm their families. And rural women who created utilitarian quilts that are breathtaking in their design and composition and either subtle of evocative use of color. I have a tremendous respect for their art.

I feel connected to women when I quilt. Women known to me and women imagined.

Interviewer: What, then, is in your mind when you create mixed media abstract and photographic contemporary constructions? When you work with canvas, acrylics, oil and soft pastels, watercolors, beads and embellishments, ceramics, unconventional threads? When you create using surgical implements, fly fishing tools, hardware clamps, power tools?

Roberts: [I think about] the striking linear nature of many African textiles, particularly Bogolanfini and Kuba cloth. I think about jazz. Stillness, movement, simplicity, complexity.

That aspect of my quilting is more contemplative, more introspective. I look inward. I think about myself, my journey, my process, my values.

I think about meaning.
 

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